The trailer for this sequel offers a great late Mosasaur dinosaur swallow hang around the shark. The implication is clear shameless Jurassic World The shark could eat for breakfast. Especially
when "Rex Indo Less" in the heart of its genetics division occurs, this
film theme park ride bigger, stronger teeth and most of Jaws or
Jurassic Park. But what is striking the extent of the loss in terms of dramatic logic and, above all, the chemical character. Even
animals 3D is undeniably impressive, their human counterparts are
decidedly two-dimensional thanks to a script that jumps and errors
without hearing begins with emotional arcs. The result is a spectacular summer blockbuster definitely eat the
ticket office with his life, but what is all the noise about nothing.
Twenty
years after the events in Jurassic Park, the Isla Nubla become a
dinosaur park fully operational, attract boatloads of tourists. But with news and raptors and T rex no longer a draw yesterday, "extinction", you must scare the new hybrid business changed. Having
learned nothing from the three previous films (The Lost World and
Jurassic Park III part, above) or text genetic Westworld Michael
Crichton, are the new owners running an amusement park where the
attractions are guests ate. As operations manager Bryce Dallas Howard struggling to find his
cousins AWOL, dino-coach Chris Pratt makes his security weaponising
avoid unscrupulous predators created a union between species.
After
leaving for more than a decade of development hell, this difficult
beast a cooked put together parts of different film for years by many
authors (including executive producer Steven Spielberg, and the rise of
Planet of the Apes writers Rick Jaffa treat Amanda silver) with a final the design of the director and his screenwriter safety Colin Trevorrow doubt, Derek Connolly. This development is a complicated hole in the plot led large enough for a Mosasaur to easily flip through web history.
Children
Threatened, parenting adults unprepared, technology crazy kids, etc. - -
Worse, thumbnail-sketch characters remind us that they were full of
both parents in the original 1993 screenplay by Koepp Crichton / David. Only billionaire owners Irrfan Khan has some of the charisma of
cracking in chaos theory Jeff Goldblum, but this promising potential
thrown into one of the impasses disappointment vague plot.
Rankle those shortcomings, taking into account previous work Trevorrow. Godzilla
director Gareth Edwards, who cut his teeth on a low budget, turning
fantasy unique before becoming the over production of serious
consequences. But
while the tracks were the monster Godzilla, Jurassic world lack the
interpersonal eccentric charm comedy journey security can not be
guaranteed. Instead
Trevorrow simply tip my hat to consciously back catalog from Spielberg,
the return of Jurassic Park dinosaur terror-kids-eye-view on-arouses
pathos ET as a herbivorous peace is damaged ("Oh!") Even riff on the
violent death of Susan Backline in Jaws (score by Michael Giacchino approaching sharky cite terror theme by John Williams). This is a dangerous game to play; I kept waiting Pratt facing the camera and jokes: "We have a script better ..."
On
the positive side, not Jurassic World does not skimp on performance, to
compensate for their lack of stories with a lot of action on screen. Seen
in the IMAX with the sound turned up to 11, holding the film promise of
popcorn, which offers a collection of dinosaurs (motion capture, CG,
with a touch of animators) sweeps majestically on land, sea and air. Again, the Velociraptor star, proving that size is not everything. But here there is nothing to match the predatory outbreak of nail
biting original remains despite advances in technology to push the
boundaries of cinematic images and sound.
And therein lies the problem. Forty
years ago, Spielberg practically invented the blockbuster summer with
just an intelligent script, a perfectly chosen cast and a shark rubber
works. Today Trevorrow can bring dinosaurs to life in a way never before possible, but we can not think or care of their characters. As Spielberg Indiana Jones and the Kingdom of the Crystal Skull, serves more as a thing of the past glory of the new future. It has mountains, but not the soul.
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